Art Principles In Portrait Photography

How to Apply the Highest Classic Artistic Principles to your Photography.

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CHAPTER X
CHABACTEK IN PORTRAITURE
ABILITY to read character grows out of our interest in and sympathy for man. It is by no means confined to artists, but their intuition is usually strong and they have the ability to interpret character because of their training in art. The first stroke of an artist's pencil is indicative of a fine observation, and he values not least among his resources his power of right selection from the complex subject-matter offered by his sitter.
In contrast, observe the photographic methods. Lenses producing softness of outline are used by only a few. The large body of photographers still bestow their favor upon the lens that gives "all over" micro scopic detail. Are not the methods of the trained artist and those of the photographer seen to be radi cally different? Yet both aim at the same result. Guide-books in European cities direct us to galleries of paintings replete with masterpieces in portraiture. As yet no nation seems to have been impelled to collect and house photo-likenesses. Is it because the photog-
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