New Bearings in Esthetics and Art Criticism

A Study in Semantics and Evaluation

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ACKNOWLEDGMENTS
I thank the many publishers who have kindly given their permission to quote passages from other volumes. George Allen and Unwin Ltd. has permitted me to quote from Howard Hannay's Roger Fry, D. G. James's Scepticism and Poetry, and Ogden, Richards and Wood's The Foundation of Aesthetics; Bryn Mawr College, from Bryn Mawr Notes and Monographs; The University of Chicago Press, from Bernard Berenson's The Drawings of the Florentine Painters, David Daiches' The Novel and the Modern World, John Dewey's Theory of Valuation, and C. W. Morris* Foundations of the Theory of Signs; The Clarendon Press, Oxford, from R. G. Collingwood's Principles of Art and E. F. Carritt's Philosophies of Beauty; Cornell University Press, from F. A. Pottle's The Idiom of Poetry; Covici, Friede, from The Journal of Eugene Delacroix; Thomas Y. Crowell Company, from D. W. Prall's Aesthetic Judgment; The John Day Company, from Sidney Hook's Reason, Social Myths and Democracy; Ralph T. Hale and Company, from Yukio Yashiro's Sandro Botticelli; Harcourt, Brace and Company, from Clive Bell's Enjoying Pictures, T. S. Eliot's Selected Essays, S. I. Hayakawa's Language in Action, Ogden and Richards' The Meaning of Meaning, I. A. Richards' Principles of Literary Criticism, I. A. Richards' Coleridge on Imagination, I. A. Richards' Interpretation in Teaching, and Virginia Woolf's Roger Fry; Harvard University Press, from S. K. Langer's Philosophy in a New Key and C. R. Post's A History of Spanish Painting; Henry Holt and Company, from M. M. Rader's A Modern Book of Esthetics; Henry Holt and Company and Oxford University Press, New York, from Bertrand Russell's Religion and Science; The Johns Hopkins Press, from George Boas' A Primer for Critics and Lionello Venturi's, Art Criticism Now;