New Bearings in Esthetics and Art Criticism

A Study in Semantics and Evaluation

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SELECTED BIBLIOGRAPHY
(G) HISTORICAL STUDIES IN CRITICISM AND ESTHETICS
Anthony Blunt, Artistic Theory in Italy, The Clarendon Press,
Oxford, 1940. Bernard Bosanquet, A History of Aesthetic, The Macmillan
Company, New York, 1934. E. F. Carritt, Philosophies of Beauty, Oxford University Press,
London, 1931. K. E. Gilbert and Helmut Kuhn, A History of Esthetics, The
Macmillan Company, New York, 1939. Andre Fontaine, Les Doctrines 6! Art en France, Paris, 1909. M. M. Rader, A Modern Book of Esthetics, Henry Holt and Co.,
New York, 1935. J. C. Ransom, The New Criticism, New Directions, Norfolk,
Conn., 1941. George Saintsbury, A History of English Criticism, Dodd, Mead
and Co., New York, 1911. J. E. Spingarn, A History of Literary Criticism in the Renaissance, Columbia University Press, New York, 1938. Lionello Venturi, History of Art Criticism, E. P. Button and
Co., New York, 1936. ---------Art Criticism Now, The Johns Hopkins Press, Baltimore,
1941.
(d) critical and esthetic theory
Works which present theories before the 20th century are not listed here regardless of their importance. References to these works may of course be found in such studies as those of Saints-bury and Bosanquet which are listed in section (c) of the bibliography.
Walter Abell, Representation and Form, Charles Scribner's
Sons, New York, 1936. E. M. Bartlett, Types of Aesthetic Judgment, George Allen and
Unwin, London, 1937. George Boas, A Primer for Critics, The Johns Hopkins Press,
Baltimore, 1937. Maud Bodkin, Archetypal Patterns in Poetry, Oxford University
Press, London, 1934.