New Bearings in Esthetics and Art Criticism

A Study in Semantics and Evaluation

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SELECTED BIBLIOGRAPHY                               163
Bernard Bosanquet, Three Lectures on Aesthetic, Macmillan
and Co., Ltd., London, 1931. Augusto Centeno, ed., The Intent of the Artist, Princeton University Press, Princeton, 1941. A. R. Chandler, Beauty and Human Nature, D. Appleton-Cen-
tury Co., New York, 1934. R. G. Coixingwood, The Principles of Art, The Clarendon Press,
Oxford, 1938. Benedetto Croce, Aesthetic, Macmillan and Co., Ltd., London,
1909. Douglas Ainslie, trans. John Dewey, Art as Experience, Minton, Balch and Co., New
York, 1934. Norman Foerster, American Criticism, Houghton Mifflin Co.,
Boston, 1928. Henri Focillon, The Life of Forms in Art, Yale University Press,
New Haven, 1942. C. B. Hogan and George Kubler, trans. Roger Fry, "An Essay in Aesthetics," Vision and Design, Bren-
tano's, New York. --------- "Some Questions in Esthetics," Transformations, Bren-
tano's, New York, 1926. T. M. Greene, The Arts and the Art of Criticism, Princeton University Press, Princeton, 1940. Louis Grudin, A Primer of Aesthetics, Covici, Friede, New York,
1930. Henry Hazlitt, The Anatomy of Criticism, Simon and Schuster,
New York, 1933. T. E. Hulme, Speculations, Harcourt, Brace and Co., New York,
1924. D, G. James, Scepticism and Poetry, George Allen and Unwin,
London, 1937. H. N. Lee, Perception and Aesthetic Value, Prentice-Hall, New
York, 1938. F. J. Mather, Jr., Concerning Beauty, Princeton University Press,
Princeton, 1935. R. M. Ogden, The Psychology of Art, Charles Scribner's Sons,
New York, 1938. O. A. H. Pell, Value-Theory and Criticism, Ph. D. Thesis, Columbia University, New York, 1930.