New Bearings in Esthetics and Art Criticism

A Study in Semantics and Evaluation

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i64                            SELECTED BIBLIOGRAPHY
S. C. Pepper, Aesthetic Quality, Charles Scribner's Sons, New
York, 1937. F. A. Pottle, The Idiom of Poetry, Cornell University Press,
Ithaca, 1941. D. W. Prall, Aesthetic Judgment, Thomas Y. Crowell Co., New
York, 1929. Herbert Read, The Meaning of Art, Faber and Faber, London,
*935-
C.  K. Ogden, L A. Richards and James Wood, The Foundations
of Aesthetics, George Allen and Unwin, London, 1922. I. A. Richards, Principles of Literary Criticism, Harcourt, Brace
and Co., New York, 1926. Michael Roberts, Critique of Poetry, Jonathan Cape, London,
Elisabeth Schneider, Aesthetic Motive, The Macmillan Company, New York, 1939. W. T. Stage, The Meaning of Beauty, The Cayme Press, London,
19*9*
D.  A. Stauffer, ed., The Intent of the Critic, Princeton Univer-
sity Press, Princeton, 1941.
Leo Stein, The A-B-C of Aesthetics, Boni and Liveright, Ne^ York, 1927.
Austin Warren, "Literary Criticism," Literary Scholarship, University of North Carolina Press, 1941.
(e) critical practice
Bernard Berenson, The Italian Painters of the Renaissance, Revised ed., The Clarendon Press, Oxford, 1930.
---------The Drawings of the Florentine Painters, The University
of Chicago Press, Chicago, 1938.
David Daiches, The Novel and the Modern World, The University of Chicago Press, Chicago, 1939.
--------Poetry and the Modern World, The University of Chicago
Press, Chicago, 1940.
T. S. Eliot, Selected Essays, Harcourt, Brace and Co., New York,
1932-Roger Fry, Vision and Design, Brentano's, New York.
--------- Transformations, Brentano's, New York, 1926.